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The Figures |
The three “firing” figures come from the Gunze Sangyo
line, and are some of the finest resin figures I have seen. A nice thing
about this set is that all hands are molded directly to the weapons, which
means you must simply align the arms to accept the wrists into the cuffs of
the arm sleeves. This insure not only a realistic grip on the weapons, but
also forces you to align the arms in such a way as to elevate the weapons to
the correct firing position. If you try to make the figures “aim up” or “aim
down”, you will need to make minor modifications to the length of the arms
to accommodate the wrists.
I completed the diorama by building a set of mock “iron doors” (Plastruct
Styrene sheet and strip), then added details to the inside of the building,
as the doorway would invite visual inspection. A registration desk was added
in the far corner, along with various pieces of common office furniture— a
chair, a filing cabinet, bookcase, etc. The floor was built of wood, as
detailed in my article on the same subject (Digital Diamonds #7), and then a
marble tile veneer was glued in place, reflecting the high caliber of
“showmanship” used by the Nazi’s in the building of their capital city.
Piping and electrical conduit was added to the rubble – some in place along
the wall, while other sections are strewn about in the rubble. As most
buildings devastated by blasts have tons of rubble, much of this is covered
in the photos by the extensive debris (stained plaster bricks, cat litter,
and more marble veneer) which covers the majority of the base. I find most
dioramas don’t have nearly enough rubble to accurately portray the real
effect of a shattered building. |
Project Photos
The wounded figures are resin sets from a variety of vendors, including
Verlinden, Warriors, and the plastic “Multipose Airfix German Heer
(“army”). A Hornet’s head was added to the soldier who is face down on
the street. Note the helmet “flying off” the soldier in the doorway,
adding impact and inferred action to the scene.
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