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Figures
Military figures of all shapes and sizes.
Military figures of all shapes and sizes.
Hosted by Darren Baker, Mario Matijasic
Painting dark skin tones?
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plasticman
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Joined: June 06, 2006
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Posted: Monday, August 28, 2006 - 05:14 AM UTC
hello everyone! right now I am building a vietnam diorama. Some of the figures will be african american. Does anyone know how I go about painting the darker skin tone?? Thanks - for all replies!
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AJLaFleche
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Joined: May 05, 2002
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Posted: Monday, August 28, 2006 - 05:20 AM UTC
I have used burnt umber as a base with can dyke brown for shadows and raw umber for highlights. Go here for a link to an article on ethnic skintones.
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spooky6
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Joined: May 05, 2005
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Posted: Monday, August 28, 2006 - 05:05 PM UTC
Try semi-gloss or satin rather than flat matt paint. Helps bring out the detail in dark skin. This thread might help.
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roudeleiw
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Posted: Monday, August 28, 2006 - 06:50 PM UTC
Here is an article from Mark Bannerman for painting asian faces
http://www.missing-lynx.com/articles/figures/mbasian.htm
Cheers
Claude
http://www.missing-lynx.com/articles/figures/mbasian.htm
Cheers
Claude
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plasticman
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Joined: June 06, 2006
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Posted: Monday, August 28, 2006 - 11:36 PM UTC
Thanks for everyones help. These links are a BIG help. Take care!!!
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garthj
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Joined: August 15, 2006
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Posted: Tuesday, August 29, 2006 - 09:44 PM UTC
Hi Sean
Just a quick tip:
I use a dark yellow enamel undercoat for all fleshtones. For negroid or dark skin tones, mix using artist oils : burnt umber with a dash of yellow ochre and an even smaller dash of crimson alizarin. Add a little linseed oil to thin the paint (avoid white spirit which increases matt finish). Shade with van dyke brown for shadows and a little yellow ochre and white for highlights. The linseed oil will lengthen drying time but gives a pleasant sheen.
Good luck, let us know how you go.
Garth
Just a quick tip:
I use a dark yellow enamel undercoat for all fleshtones. For negroid or dark skin tones, mix using artist oils : burnt umber with a dash of yellow ochre and an even smaller dash of crimson alizarin. Add a little linseed oil to thin the paint (avoid white spirit which increases matt finish). Shade with van dyke brown for shadows and a little yellow ochre and white for highlights. The linseed oil will lengthen drying time but gives a pleasant sheen.
Good luck, let us know how you go.
Garth
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