Thanks Thomo

, steady hands are not a prerequisite, if you have a good diorama idea (ie, not something that sounds like "so this is untersturmbahnführer DickerMax dass ask the gunner from the PZKPFWbefehlswagen to reload the truck with the LeFH9998 anuminitions while waiting for a Russian attack left of Orelgorod while he is waiting while his PommelWagen is going into repair" which means something which looks boring and gets you to read 10 lines of explanation to only find a mild interest of the diorama) well, like I said, if you have a good self-explanatory diorama idea (see Domi's work for instance, or Guy's or etc here in the forums), then it's worth 10000 new steady hands!! (which does not mean that the 2 aforementioned modellers don't have steady hands

)
As for the patience, I do have some, except when I am waiting at the post office.
The trick is to really see the final result in your head before starting.
really, I see guys knocking out dioramas in 2 weeks, why are they in a hurry? do they have so much place in their home that they have to cramp it with stuff of dubious value? I have very few place at home, and there's a bank loan on each square centimetre of it, I won't be covering the furniture space with ugly stuff..
Kurt, I really thank you for your picture as I was precisely searching for one of this kind for a future project! however what you show does only partially relate to the diorama: first, on your picture, the boat is lying on its side which does a colour and transparency gradient, while in fact the Galilée is still more or less standing over the main bridge which would lie some 1 meter+ below the emerged surface (actually, i designed the diorama at the start for not having this kind of gradient transparency). So at this depth things would tend to be blury. On the top of this the water is very rough, and you basically can't see anything except light through it. i actually have in my head a project of a boat sinking on its side, and I know it will be a very different job as here I worked my best so as not to embed anything inside the water (the stuff was just fixed after the resin set)
btw, Guy I forgot to answer your question! yes, a bit of driftwood would have been wise especially
on the front-right of the boat where the sea looks a bit empty. But that would have forced me to change a bit my balance and techniques while not being so sure of the final result so i wisely choosed not to do that and to actually postpone this technical difficulty if I wanted to get a real gradient transparency ( like Kurt above meant) for a forthcoming diorama.
Quoted Text
best water-simulation i've seen!
is the mother of all compliments here, thanks Koen!
thanks Chas too! My psychiatric record is clean, however, you might learn maybe a bit of psychology more like
Ah well, like I hinted before, maybe you'll get a blow on the back of the head one day and you'll think you can exercise your modelling skills to show a bit of yourself as your are instead of a bit of the life of people which for some are long time dead.. sounds a bit rough said like that..

back to the diorama, I reminded yesterday about something; I love wrecks, I think they are really very romantic. yet the few times I found or visited some on the Atlantic coats, I thought there was something very repelling about them, like a bad aura or something. I realized this by working on the diorama again -that's this nail thing. I just added quite a lot and suddenly my galilée wreck began to make that same impression on me, like something both frail and quite dangerous in fact.. i will have to search a bit more words to tell about my feelings towards this.
But as you can see, a few nails on details can really change quite a lot of things..

there was something about the diorama I wasn't too happy about: there was not nearly enough of sea near the Blockhaus, so i had to change that. But then that would mean put some chunks of resin near the metal and that would have produce some dreadful result if the resin began to leak on it.
So I used a very old trick to do this: I dipped tiny bits of cottonwool in the resin and placed them at the right place. They have the right texture for that.

then 2 days ago after the resin set, I added a biot of foram to cover the joints

then another thing: I realized that the mast was standing too clse to the cabin. So using 'carfelully the powertools and sheer muscle strength (

) I de-embeded the mast and changed its inclinaison in a more suitable position.
I could clall the diorama finished except for the fig, but then I will add a bit of rigging to the mast which will help trace other lines on the scene..